Still-Life With a Tea Pot

Here's the first layer of paint for my latest still-life (detail). You can see the dead colour layer as well. I feel myself making a lot of progress with technique, and that's really making this much more enjoyable than previous paintings.

Still-Life Drawing: Stage 2 (April 6, 2011)

I'm racing to get this done by the end of the month and being new to using white chalk so extensively in a drawing, I'm a little worried. But I'm actually having lots of fun! There's nothing like creating light with white chalk on tinted paper. It's feeling very intuitive right now, which is great. No wonder so many artists love this process!

Still-Life Drawing: Stage 1 (April 2, 2011)

I just started this today but I've been planning it for awhile. I broke a beautiful container a couple years ago that I was previously thinking about using in a painting. The funny thing is I was more inspired to use it after I accidentally broke it. It looked much more intriguing and I had a great opportunity to do something conceptual with it.

Once I set up the broken pieces, they reminded me of ancient ruins and they have a beauty that didn't exist when the container was intact. So that's what I'll call this drawing; "Ruins".

It will be on tinted paper but I want to incorporate white chalk, which is why I didn't start straight on the "good paper". I'll be using white chalk a little more than I'm used to and I don't know how it'll turn out. That's why its good for me to have a cartoon or blueprint (if you will) so if anything goes terribly wrong, I don't have to start from scratch.

I'm still a little unsure about the composition. I'll take another look at it tomorrow but I might just end up moving one of those little broken pieces around...

5 Hour Still-Life

I challenged myself last night with one of the most difficult objects I've ever painted. I bought it at Value Village, and I'm not sure what it was used for but it was a great find. I only gave myself 5 hours to paint it so I didn't get to every detail but I'm liking the results. The only thing is the background colour is too dark so I'll have to change it. Here it is so far:

Study of a Tea Cup, Oil on Canvas (Part 2)

Ahh yes, highlights! It's nearly done, just need to glaze that reflection down, get it a bit warmer. I have to say, that tea cup has been a joy to paint, I really love it as a subject. I'm still searching for supporting objects to paint with it and make a larger composition. Perhaps a peeled orange, which I've always wanted to do well. I could add the small tea plate in there...maybe a whole tea set. That might be a bit cliche though so I'll have to work out something more interesting. But I think I will play around with background objects a bit more to add depth and I think that will make things more interesting by giving the eye a lead-in to the painting. Hmmm...Anyway, the design on the cup was a lot less difficult than I thought it would be and it looks great. I'm happy with the sense of form I was able to get and I actually did end up glazing in some subtle colour! I was a bit apprehensive about the colour working out but I gave it a try and I love it. I haven't really glazed colour in years so this is encouraging. Looks like I'll be using a grisaille to start every still-life from now on. 

Study of a Tea Cup, Oil on Canvas (Part 1)

I was always eying this tea cup as a subject so I decided to do a study of it to see how I liked it. I'm letting it dry now, and tomorrow I will be adding more details. I did this one last night in a few hours and I'm starting to really like the grisaille technique again. I really like the imprimatura I used too, I'm probably going to use it for figure painting on Tuesday. Can't wait to add the highlights! I should say the inspiration to do a grisaille again came from the artist Dan Thompson  who has a demo on the American Artist site. He used a grey toned canvas and raw umber plus flake white for his block-in. It looked awesome so I thought I should give it a try and I'm so glad I did. He also mentioned the "calligraphy of the brush", which hit the nail on the head for me. Using the brush not just to fill things in but as a way to create interest in itself (if that makes any sense). So I'm trying to incorporate that into my unfinished pieces to add interest. Stay tuned!

First Painting of the Year

So I've finally gotten down to painting this year. I was sort of anxious about it but I did a quick still-life with roses and it's not too bad. I hated it at first but it's growing on me. Not sure why I thought I was all of a sudden going to be great at painting roses of all things, they're so difficult! Maybe because so many others make it look easy. I am rusty for sure but I'm proud of myself for not giving up on this one and just finishing it even though it's not my best. I think it's important just to finish things no matter what or you never really finish anything. I'll post a picture of it when it's varnished. 

Egg Study

I just did this in about an hour. It's my first painting on mylar. It wasn't bad--I definitely need more practice. I thought I'd start really simply by painting an egg in black and white just to feel things out. It's nice to be able to take a brush, dip it in mineral spirits and use it to clean up edges. I don't see myself doing full paintings on mylar, but I'll explore it some more.