Here's update, finally. I've started working in some half-tones and softening edges. Just that little bit made a huge difference, she's starting to look real. There will be more soon. Comments are welcome and thank you for following :)
Still putting in those darks. This is helping me see the overall value range. I had to make sure I put the dark part of the hair in so that I could judge the values in the face better. She's looking like a brunette right now but she's actually blonde. What I'm doing is laying in a base to erase out of, which is the easiest way I know of to create realistic hair. There's a lot of edges to blend and I still don't know how I'll finish the bottom. Maybe I'll fade the bottom out...I don't know. 
*Note: Blogger seems to dull the contrast a bit on these photos.In any case I got pretty far last night. I'm starting to remember some of the pitfalls of graphite such as shine of course which makes me have to tilt my paper to get my tones even at every angle. Also, I have to manage the graininess while not pressing too hard on the paper. Sometimes I get concentrated spots of shine that way...not good.
As you can see in the pics, I'm working strictly in the shadows for now so it looks a bit strange as it's only 50% of what makes something look 3D. My drawings never really look spot on until much later anyway, lol. I'm keeping things pretty basic for now, no details yet until I establish convincing form. I'm also not going to round off all my shapes yet, that will come with softening edges. After I'm done with laying in my tones, I'll go back over everything to get a smooth finish.
Thanks for following, and comments are welcome :)
There was a little scare earlier because I couldn't find my camera but I found it, YAY! So I get to post this update afterall. If you enlarge the picture above, you'll see how I'm using a bristle brush to push and spread the graphite into the paper. I'm doing this because the paper has too much tooth for me to get a smooth finish with just the pencil alone. If I were using a hot pressed paper like Stonehenge, I would skip this step. Once that's done I start placing some general dark areas within the shadow shape to start to gradually break things up. I'll show that step in the next post. 
I finally started this drawing on Sunday and this is about a day's worth of work so far. As you can see, I'm concentrating on getting the shadow shapes right because that is the key to capturing the likeness and once that's done, I'll probably get into the eyes since that's always a good place to start. The paper is off some pastel drawing pad I had from about 4 years ago. It's a muted blue but I originally wanted a flesh tone...I just wanted to get started and I couldn't bother to go on another hike to the nearest art supply store, so I thought "This will have to do."
Since my last post, I've done my hair, the dishes in the cabinet, the background, the chair, and a bit of my left earring. You can see there's a lot of glare from the sun. I'm hoping I can get this done by Sunday because it needs to dry and get a retouch varnish.
I started this painting on the 17th, and this is how it looked yesterday. Now the real work begins. I need to straighten lines, get my skin tone going and a lot of other things...
This was about a month of work. I learned a lot about my features and used this piece as an opportunity to introduce a conceptual element. I'm never without my music and I thought I should include it somehow. Some may pick up the earphones and some may be confused but either one is fine by me. The biggest problem I had apart from the drawing is getting a good photo of it so I ended up scanning it. It's still not the same as the original but it'll do for now.
