I was always eying this tea cup as a subject so I decided to do a study of it to see how I liked it. I'm letting it dry now, and tomorrow I will be adding more details. I did this one last night in a few hours and I'm starting to really like the grisaille technique again. I really like the imprimatura I used too, I'm probably going to use it for figure painting on Tuesday. Can't wait to add the highlights! I should say the inspiration to do a grisaille again came from the artist Dan Thompson who has a demo on the American Artist site. He used a grey toned canvas and raw umber plus flake white for his block-in. It looked awesome so I thought I should give it a try and I'm so glad I did. He also mentioned the "calligraphy of the brush", which hit the nail on the head for me. Using the brush not just to fill things in but as a way to create interest in itself (if that makes any sense). So I'm trying to incorporate that into my unfinished pieces to add interest. Stay tuned!
Saturday, June 6, 2009
Study of a Tea Cup, Oil on Canvas (Part 1)
I was always eying this tea cup as a subject so I decided to do a study of it to see how I liked it. I'm letting it dry now, and tomorrow I will be adding more details. I did this one last night in a few hours and I'm starting to really like the grisaille technique again. I really like the imprimatura I used too, I'm probably going to use it for figure painting on Tuesday. Can't wait to add the highlights! I should say the inspiration to do a grisaille again came from the artist Dan Thompson who has a demo on the American Artist site. He used a grey toned canvas and raw umber plus flake white for his block-in. It looked awesome so I thought I should give it a try and I'm so glad I did. He also mentioned the "calligraphy of the brush", which hit the nail on the head for me. Using the brush not just to fill things in but as a way to create interest in itself (if that makes any sense). So I'm trying to incorporate that into my unfinished pieces to add interest. Stay tuned!
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